A sitcom set in the struggling Montreal franchise of a fictional multinational fast-food chain.

L'Amour avec un Grand A is a French-Canadian television series which aired from 1988 to 1995. The series explores different complex sexual and taboo issues. Some notable subjects include: Rape, Teen Obsession, Age Difference in love, Homosexuality and Married, Schizophrenia, Spousal Abuse. The series lasted 7 years and was very popular in Quebec. It was written by Janette Bertrand.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

In the middle of the pasture stands an old oak tree intertwined with a plane tree. Bětka, who grazes sheep, calls it the apple oak. It is her favorite place. It is as if her mother, whom both she and her father miss so much, is watching her from the tree's crown. And it is here that Bětka meets a young prince for whom military glory is the most important thing in the world. Although he likes the shepherdess, he sends her father to prison for his grumbling and aversion to senseless military conquests. He says he will release him when someone defeats him, the prince. Desperate, Bětka seeks solace at the apple oak tree, where she suddenly receives not only a miraculous caress, but also advice. She will be helped by someone whose head is fiery like an autumn tree, half gold and half scarlet...

We don't have an overview translated in English. Help us expand our database by adding one.

这部时长83分钟的作品分为两部分呈现。它记录了索尼娅·维德-阿瑟顿的想法，即创作一系列来自中欧和东欧（包括俄罗斯）的作品。其中一些原本并非为大提琴而作，但她还是安排人将其谱曲。还有一些是为人声创作的歌曲，索尼娅·维德-阿瑟顿在她与尚塔尔·阿克曼合作的早期影片中曾表示，她希望以一种能让大提琴体现出人类声音所具有的独特情感的方式来演奏它。在开头，她解释了她认为该地区的每个国家在其音乐中都体现了各自独特的个性，这些个性源自其各自的历史和文化，但该地区每个地方也正如她所说“被其他地方所影响”，因此总会有一些共同的元素贯穿始终。

Star Film 540-541

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.